Psalm 47

A delightful brass ensemble arrangement that gives a constant sense of moment with various rhythmic devices while maintaining the sweeping nature of this old established tune. All parts get in the action

This trumpet quintet is based on a classic hymn. After the majestic presentation of the classic hymn tune. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and

For brass quintet and optional piano and substitute brass parts. After a brief introduction, the theme is presented in an echoing fashion giving a great deal of texture.

A good piece to open a service with since it has the character of a jubilant fanfare. The brass duet lines are solid and ends on a forceful note.

Traditional patriotic arrangement for full orchestra and piano.

This duet places most of the technic in the flute part, while the clarinet (alto sax) is rather straight forward with the melody. The Piano part carries an underlying drive that gives the feeling of a

With a sense of expectation, this piece has a sense of solid movement - having both solid harmonic structure among the trio parts as well as imitative movement to add interest. After a final, solid

This unaccompanied clarinet quartet is based on a traditional Christmas carol. The arrangement is from the teaching files of Monty Budahl and is useful for vesper, offertory, and special. This arrangement

A stately brass ensemble designed for a larger group. It has many sections scored for a lush lower brass section often with upper brass embellishments. It is steadfast in its presentation and would serve

A woodwind quartet with optional parts is presented in a joyful manner giving a sense of expectation. After a pert introduction, the melody is stated with a solo clarinet with answering figures rotated

This saxophone arrangement of As the Deer is a gentle interplay of parts and gives the sensation of a constant flowing stream of water that offers a background for quiet reflection. A tenor sax

A flute solo that begins with Flow Gently Sweet Afton acapella in the lower range of the flute, and is then joined with the piano. It is repeated up the octave with a more involved accompaniment.

This solo begins with non-thematic material setting up the mood of the piece. The theme is then introduced in a back-and-forth format between the instrument and accompaniment. It then continues with an